Our journey to push the boundaries of what a drive pedal can be has come to its next stop. This is Subspace: the analogue versatility of Odyssey by Peter Hamstead, optimised for low frequencies.
With it’s re-voiced circuit, enhanced with the addition of a parallel dry control, Subspace allows you to craft your perfect drive sound without losing any character or low frequencies from your original signal. You’ll be taken on a journey from clean boost with tone shaping, to warm vintage valve style overdrive, through to defined distortion and all the way to glitchy oversaturated fuzz.
Whilst developed with bass in mind, Subspace took us further than we could have imagined. When used with guitars it opens up a whole range of alternative and inspiring drive sounds, and allows frequency-specific clipping for all instruments including keys, synths and drum machines. When used with bass it offers more than you could believe was possible from a compact analogue drive pedal.
Frequency-Specific Clipping
Defined High Gain Distortion
Parallel Dry Control with x2 Boost
+/-18dB of Treble and Bass Boost & Cut
Glitchy Oversaturated Fuzz