John Mayer's beautiful guitar tones have always captured my imagination. I remain continually inspired by his warm and dynamic overdrive tones. And the challenge of recreating these has long interested me - first as a player and now as a pedal builder. So I am very proud and excited to introduce our new Triple Gain pedal.

The Triple Gain is based on three classic overdrive circuits:

BB-circuit, TS-10 and the K-circuit

Each of these pedals has played - and continues to play - a significant role in John Mayer's tone. They all contribute individually, but it is stacking them together which helps Mayer create his signature drive tones. It enables him to create different textures and shape his tone in a way that is not possible with single pedals alone.

Gain stacking provided the inspiration for our Gravity pedal. We saw how Mayer stacked his Klon and TS-10 together in songs like 'Gravity' and 'Belief' to dial in his signature tone.

And with the Triple Gain we have taken this one step further. Adding the BB into the mix gives you further gain stacking and tone shaping options. And this will enable you to dial in a wide range of drive tones and recreate specific tones from Mayer's different eras.

The BB stacked into the TS-10 will help you recreate the tones you hear on albums like Continuum and in Mayer´s earlier live performances. The K-circuit stacked into the TS-10 (or vice versa) will help you create Mayer´s tone from more recent years. And should you want to push beyond these tones into higher gain territory, you can stack all three overdrives together.

After all, whilst the pedal was inspired by John Mayer, it works well for anyone looking to dial in a variety of blues and blues rock tones. The pedals that we have recreated in the Triple Gain are some of the most iconic drive pedals of all time, and we have gone to great lengths to capture the essence of these pedals, whilst making a few choice upgrades. These are as follows:

BB-circuit

Of the three pedals in the Triple Gain, we have made the most changes to the BB-circuit.

We have raised the internal voltage supply from 9v to 18v, giving the pedal improved headroom and dynamics. We have also increased the minimum gain level slightly and changed the taper of the gain and volume potentiometers from audio to linear, resulting in an improved response. Lastly, we have added an external toggle switch for a high gain mode, an internal trim pot for presence control and a dip switch for different clipping diode options.

K-circuit

With the K-circuit, we stuck as closely to the original as possible. The one significant change we have made here is to the electrolytic capacitors, which we removed from the signal chain and replaced with premium Wima polyester capacitors. The diodes used are NOS Russian germanium.

TS-10

To capture the true TS-10 tone we have stuck closely to the original and focused solely on quality. As such, we are using original NOS Toshiba 1S1588 diodes and 2SC1815 transistors. The main change here is the addition of an internal dip switch which adds an extra pair of clipping diodes in the overdrive stage for increased headroom and a more open sound.

The signal chain of The Triple Gain runs from the Bluesbreaker to the Klon and then into the TS-10. However external toggle switches allow you to alter the signal chain, stacking the TS-10 into the Klon, as well as adjusting the gain level of the BB. This gives you a broad variety of stacking and tone shaping options, taking you from soft break up all the way through to much higher levels of saturation.

TRS-SPLIT: With the Triple Gain you can split the TS10, K-circuit and BB into three separate effects, to use with a pedalboard switcher. Using "TRS to dual TS" cables you have IN+OUT for each effect, via the "OUT", "SPLIT-B" and "IN" jacks on the top of the pedal.

Circuit A (left)

- Replica of the TS10 audio circuit (Non buffered bypass).

- RC4558 Operational Amplifier

- Internal dip switch for diode clipping settings.

* 2-diode symmetrical for the classic tubescreamer feel.

* 4-diode symmetrical for more headroom and less compression.

- Original Toshiba 1s1588 silicon diodes as in the original TS10 JP

Circuit B (Middle)

- Replica of the K-circuit.

*High quality buffer.

- NOS germanium diodes - Russian D9B.

External ORDER switch to select in which order the signal passes through circuit A & B.

Circuit C (Right)

- Replica of the circuit of the first BB1 - Black Box Blues Breaker circuit.

* Supply voltage is boosted to 18 volt

* Increased minimum gain level

- External toggle switch for selecting between std. gain and high gain mode.

- Internal presence trim potentiometer

- Internal dip switches for clipping diode settings.

* 4-diode symmetrical clipping (default)

* 6-diode symmetrical clipping for less compression.

* Open setting with no clipping diodes, high headroom and loads of output.

- NOS Telefunken clipping diodes

The Triple Gain is built using carefully selected top shelf components:

- VISHAY 1% metalfilm resistors

- WIMA MKP10, MKS4 and FKP2 film capacitors - no electrolytes in the audio circuit.

- VIMEX sealed potentiometers

- Taiway footswitches

- TAIWAY toggle switches

- PURE TONE MULTI-CONTACT 1/4" JACK

- Silver plated teflon insulated cable for internal wiring.

- US made DAVIES MOULDING 1470 and 1400 knobs

- Dimension: 7.4 in x 4.72 in x 1.46 in (188 mm x 120 mm x 37 mm)

POWER:

The Triple Gain requires a regulated 9-volt DC power supply with standard 2.1mm jack tip negative polarity. Do NOT use an 18V power supply.

The max power consumption of the Triple Gain is 150mA (+9VDC). If operated with a power supply with insufficient current capabilities, it will affect the performance. So make sure your +9V-DC power supply is capable of delivering 150mA.

We recommend you to use a quality power supply with isolated outputs. The Triple Gain does not support battery operation.